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…Ovsyanikova's attractively full and velvety tones complemented by correspondingly cloaked tones from Sinani…

Charlotte Gardner,


“Both players have fine techniques…” 

Roger Nichols,

BBC Music Magazine

“There's warmth and a lustrous violin tone in the 1917 Debussy Violin Sonata in G Minor and a beautifully clear and bright performance of Boulanger's Deux Morceaux - Nocturne and Cortège.”

Terry Robbins,

The Whole Note

“Ovsyanikova and Sinani… have a convincing partnership, precise but giving each other plenty of interpretive space, beautifully articulated in Ravel's posthumously published first sonata.”
“The opening Allegro con fuoco fizzes along, its fire decorated by Ovsyanikova's generously sweet tone.”

Simon Mundy,

Classical Music, 2020